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CFP: Johnny Cash Heritage Festival

Tuesday, April 30, 2019   (0 Comments)
Posted by: Evangeline Mee
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The Johnny Cash Heritage Festival, scheduled for Oct. 17–19, 2019, invites proposals for presentations that focus on the ways that country music reflects the American experience (especially the experience of rural Americans in places such as Dyess) and the ways that the American experience is enriched by country music.  The theme will be "Our Musical Genealogy: Country Music and the American Experience."

In the liner notes to her 2009 album "The List," Rosanne Cash writes about the list of songs her father made for her in the summer of 1973 "to educate me, to tell me about my Southern roots and my American history, about my legacy. He called the List '100 Essential Country Songs' but he could have called it '100 Essential American Songs,' because he included history songs, protest songs, early folk songs, Delta Blues, gospel, Texas swing, and standards that simply defy genre." Because it contains all these styles (and an equally wide range of themes), country music as a genre is difficult to define. But it is exactly this complexity that has made country music worthy of academic study––the complexity of the music echoes the complexity of the American experience.  Just as The List represents Rosanne Cash's specific "musical genealogy," country music represents America's collective "musical genealogy."

Along with being the tenth anniversary of The List, this year marks the debut of another project that seeks to distill the essence of country music. Ken Burns' eight-part, 16 ½-hour series Country Music premieres September 15.  Burns describes the project as an effort "to tear away the undergrowth and look at this magnificent stuff as a new way of focusing on America, seeing race, seeing people who think their stories aren't being told."  

Possible topics include:

  • Country music as a reflection of American culture.
  • Generational legacies, especially the legacy of Johnny Cash and his family.
  • Family and community in country music. 
  • Presentations about the influence of the Dyess community are especially invited.
  • The interconnection between country music and other genres (rockabilly, folk, rock 'n' roll, gospel, blues, etc.)
  • How Johnny Cash was shaped by, and helped shape, a range of country music genres.

 
The organizers would especially welcome proposals for presentations that break away from the standard format of reading research papers, appealing to specialists and non-specialists alike.  Research and artistic presentations that incorporate music, images, film, computer graphics, and other interactive elements will be given first preference. 

The deadline for application is May 31, 2019.  Please submit an abstract of 150 words, as well as a brief bio and two-page CV to adamlong@AState.edu.  Please also make note of any technology needs.


The Johnny Cash Heritage Festival will feature other activities in addition to the academic panels, including free regional concerts and a major world-class ticketed concert on Saturday afternoon.  Presenters are invited to participate in the weekend's other activities.  For a full schedule when it becomes available (or to buy tickets to the concert), check in regularly on the Johnny Cash Heritage Festival website.

 



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