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The class visited Hmong communities in Madison, Milwaukee, Sheboygan,
Green Bay, Wausau, Eau Claire, and La Crosse. They had several classroom
visits, including ones from a seventeen-year-old shaman, a former
resident of the Ban Vinai refugee camp, and a Hmong instrument maker.
The students documented Hmong culture by audio and video recording,
taking pictures, sketching, and writing extensive notes.
Wisconsin has the third-largest Hmong population in the United States,
with 33,791 Hmong residents, according to the 2000 U.S. Census.
(California and Minnesota have the most.) Among other things, the
students learned how Hmong culture has endured through centuries
of dislocation and persecution by relying on a strong sense of family
and community interdependence. "Before the trip I thought Hmong
was just some bizarre culture, but now I know what the Hmong truly
are," said Mariah, a fourth-grader.
Teacher Mark Wagler acknowledged that the trips are lots of hard
work but the payoff is great. "Never before have I seen students
learn culture in such great depth," he said. "It's the
best social studies curriculum I've ever taught--folklore, history,
geography, political science, economics, sociology, and psychology
all integrated into one ethnographic project with local, regional,
and international dimensions."
“Hmong at Heart” opened this January in Madison, and
features a Hmong village in Laos, a Thai refugee camp, and a Hmong-American
home. It is one of seven exhibits on Asian cultures created for
children’s museums through a Freeman Foundation initiative.
After completing its tenure in the Madison, “Hmong at Heart”
will travel to ten sites around the country. The elementary students’
study of Hmong culture was part of the research process used by
the Madison Children’s Museum staff to develop “Hmong
at Heart.” Several short videos in the introductory section
of the exhibit illustrate the role the 4th and 5th graders played
in the development process.
Pryor, Wagler and Olson have written a manual to accompany the exhibit:
A Kid’s Guide to Local Culture. Organized as a field
guide, the book leads students in finding culture close to home.
Its core content examines forty-two “cultural elements.”
For example, the section on adornment begins with short discussions
of ways people adorn themselves, from pierced ears to henna-dyed
hands, to African-American hats and Pakistani-American jewelry.
It continues with a more specific discussion of hair traditions
and suggests, “Spend some time in a barbershop or hair salon
to observe the many things people do to their hair.” Another
discussion on hats concludes with, “Think about the forms
of adornment you use in your everyday life. Which are to make you
attractive? Which are part of another cultural identity?”
Two other educational manuals are available too: A Teacher’s
Guide to Local Culture (written by Wagler) and A Field
Guide to Hmong Culture (written by Dia Cha, Mai Zong Vue and
Steve Carmen). All three of these manuals are available on line
through the Madison Children’s Museum, the Wisconsin Arts
Board and CSUMC. Printed copies can be purchased from the Children’s
Museum.
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Benjamin
and Pakou, students from Mark Wagler's class, plant a Hmong
garden in Randall School's outdoor classroom.
Pachee
and Chrissy, two of our hosts in Green Bay, model different
Hmong fashions (dressed up and encouraged by their moms!).
Gabby
learns how to make eggrolls in Green Bay: "A lot of us
had never done egg rolls before so it was a little difficult
at first but as you kept going it got easier and easier."
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This
year-long study of Hmong culture was the second in which Wagler, Olson
and Pryor partnered to use cultural tours as curriculum. In 2001-02,
Wagler’s class studied Dane County with the highlight being
a four-day cultural tour. In the current academic year, the class
is studying a single street in the school’s attendance area,
making repeated ethnographic visits to people and places on Park Street.
The format of the cultural tour allows centering of inquiry-based
pedagogy and results in students continuously engaging with inquiry
on different levels over two years, spiraling deeper in scope and
skill.
At the conclusion of the Hmong Cultural Tour, a Hmong fifth-grader,
Pakou, wrote this powerful entry in her journal, "First, I knew
only a little about being Hmong, but then we visited a lot of Hmong
people who have their own traditions which are related to my traditions.
I now know more about myself." |