Alabama
July 17, Teaching Alabama History Through Music, directed by Joey Brackner
and Steve Grauberger, Alabama State Council on the Arts, Montgomery.
This biennial Alabama Studies Symposium Pre-conference will showcase
documentary materials and ways to use them in the classroom. Contact
Joey Brackner, joey@arts.state.al.us,
334/242-4076 x225, www.arts.state.al.us.
Arizona
June 22-27, Arizona Heritage Project Summer Institute, St. Johns, directed
by Ken Evans. This new statewide partnership of the Salt River Project
and American Folklife Center modeled on the Montana Heritage Project.
Contact heritage@srpnet.com,
702/236-2541.
California
July 9-13, 8th Annual Legacy Oral History Project Workshop, San Francisco
Performing Arts Library & Museum, directed by Jeff Friedman. This
annual workshop provides theory and practice in oral history, project
design, ethical and legal issues, interviewing, transcription, and editing
for beginning to advanced levels with a special focus on the performing
arts. Dancers, musicians, theater artists, and educators are welcome
as are academics and independent researchers with interests in dance
history, ethnomusicology, folklore, and performance studies. Contact
Alyson Belcher, alysonb@sfpalm.org,
415/255-4800 x*823, www.sfpalm.org/programs/programs.htm.
District
of Columbia
TBA, National Mall, Smithsonian Folklife Festival. This annual seminar
and a Teacher Fellow Program give educators hands-on experience across
the festival's various programs, this year featuring Scotland, Appalachia,
and Mali. Contact Betty Belanus, BettyB@folklife.si.edu,
202/275-1436, www.folklife.si.edu.
July 14-19 or July 28-August 2, Storytelling and the Visual Arts, National
Gallery of Art is open to teachers of all subjects and grades, www.nga.gov/education/storyworkshop.htm.
Deadline: March 15.
Kentucky
July 6-27, Workshop in Folktales, Hutchins Library, Berea College, sponsored
by Indiana University's Department of Folklore and Ethnomusicology,
the Tales Online project, and Berea College. The workshop focuses on
narratives in the Leonard Roberts Collection, recorded principally between
1949 and 1965 in Eastern Kentucky. Participants may be in residence
part or all of the three weeks. Activities include tale transcription,
preparing tales for a Web site, and fieldwork with Appalachian narrators.
Participants should arrange for course credit through their respective
schools. Kentucky residents, contact Hutchins Library Special Collections
sound archivist Harry Rice, Harry_Rice@Berea.edu;
all others, contact Inta Carpenter, carpente@indiana.edu.
Louisiana
Pending funding, Louisiana Voices institutes are tentatively scheduled
in New Orleans and Lafayette. Staff are available for training throughout
the state. Contact Nalini Raghavan, nalini.r@att.net,
225/387-6535, www.louisianavoices.org.
Maryland
June 13-July 3, Exploring a Maritime Community's Response to Cultural,
Economic, and Environmental Change, Crisfield, directed by David Taylor.
This year's three-week Field School of the American Folklife Center
at the Library of Congress, co-sponsored by Salisbury University, teaches
skills in ethnographic planning, research, collection, and documentation,
using the maritime community of Crisfield as a field site. Educators,
curators, local historians, leaders of cultural groups and foundations,
librarians, community organizers and activists, and graduate and undergraduate
students (especially Marylanders and Delmarva Peninsula residents) are
encouraged to apply. Contact Polly Stewart, pxstewart@salisbury.edu,
401/548-4241.
Minnesota
June 8-21, Arts Management in Community Institutions, sponsored by the
National Guild of Community Schools of the Arts, University of St. Thomas,
St. Paul, directed by LaMoine MacLaughlin. The 17th annual institute
offers comprehensive professional development for administrators and
leaders of nonprofit, community-based schools of the arts. Contact Suzanne
Sousa, suzanne.sousa@natguild.org,
212/268-3337, www.nationalguild.org.
Mississippi
July 20-26, Finding Our Voice: Feeding Our Spirit, Mississippi Whole
Schools Institute, Delta State University, Cleveland, sponsored by the
Mississippi Commission on the Arts, directed by Judi Holifield. This
5th annual institute will engage educators in multiple art forms and
new thematic tracks. Contact Judi Holifield, jholifield@arts.state.ms.us,
www.arts.state.ms.us/institute.html.
Missouri
August 5-8, Oral History and Writing, Missouri Historical Society, Forest
Park, directed by Susie Morice. Teachers will create their own projects
and then modify adaptations for their students. Contact Susie Morice,
susiem@mohistory.org, 314/454-3117.
Montana
June 22-28, Expedition Into Essentials, 9th Annual Montana Heritage
Project Institute, Missoula, directed by Michael Umphrey. This year's
focus is students' critical thinking and writing through exploring their
community, its place in national and world events, its relationship
to the natural environment, and its cultural heritage expressed in everyday
life, economic practices, responses to crises, traditions, celebrations,
literature, and arts. Contact Marcella Sherfy, marcella@edheritage.org,
406/444-1759, www.edheritage.org.
Nebraska
June 8-11, Prairie Visions Summer Institute, University of Nebraska,
Omaha and Kearney campuses, sponsored by the Nebraska Arts Council and
University of Nebraska Center for Innovation in Arts Education, directed
by Marty Skomal. Participants at both campuses will link via distance
learning technology as they work with folklorists, folk artists. The
institute will employ a comprehensive arts education approach to explore
how folk and traditional arts connect to the principals and values inherent
in the study of social studies. Contact Marty Skomal, 800/341-4067,
mskomal@nebraskaartscouncil.org.
New
York
April 11-13, People's Poetry Gathering, Lower East Side of Manhattan,
sponsored by City Lore and Poets House. This third biennial "Woodstock
for Words" brings together young poets, cowboy poets, the Burns
Society, and poets from around the globe. This year, instead of a student
day, there will be a track of programs throughout the weekend that are
geared toward students. Contact 212/529-1955, www.peoplespoetry.org.
North
Carolina
July 6-14, Cherokee History and Culture Institute, Museum of the Cherokee
Indian, Cherokee, directed by Barbara Duncan. This intensive course
for educators includes Cherokee language lessons; experiences with Cherokee
storytellers, artists, and craftspeople; and field trips. The institute
explores the disciplines involved in the study of Cherokee and/or Native
American culture and history: anthropology, archaeology, folklore, linguistics,
and history. Contact Barbara Duncan, bduncan@cherokeemuseum.org,
828/497-3481, www.cherokeemuseum.org.
Literacy Through Photography (LTP) workshops sponsored by the Duke Center
for Documentary Studies, Durham. Open to educators and artists nationwide.
Based on Wendy Ewald's projects with children and teachers throughout
the world, LTP workshops draw on master LTP teachers and nationally
known artists and writers. Participants write, make photographs, and
develop individual curricula. No basic LTP workshop is offered this
summer, but coordinator Dwayne Dixon tailors workshops for schools,
community organizations, and local arts councils. Contact Nina Mehta,
ninazm@duke.edu, 919/660-3655,
cds.aas.duke.edu/ltp,
deadline April 1, for both special topic workshops at the Durham Public
Schools Staff Development Center, below:
-- June 9-13, "Portraiture and the Body: The Best Part of Me,"
directed by Wendy Ewald, visual artist Brett Cook-Dizney, and master
teacher Lisa Lord. Using photography, drawing, writing, and installation,
participants will focus on the body as a primary origination point for
extensive creative work about students' history, self-image, and relationship
to others. The project will provide the basis for developing a photography
and writing curriculum on self-representation and the body.
-- July 7-11, "Picturing Race: Black Self/White Self, directed
by Wendy Ewald, author Rebecca Walker, and master teacher Robert Hunter.
Participants will explore racial identity through photography and writing
and develop a theoretical base for a curriculum on race.
Ohio
June 10-12, 3rd Annual Oral History Institute, Kenyon College, Gambier,
sponsored by the Ohio Association of Historical Societies and Museums,
Ohio Historical Society, Ohio Humanities Council, and Rural Life Center,
Kenyon College. Work with highly experienced oral historians and learn
to turn an idea for a project into practical possibilities for organizations
and communities, from budgets to ethics, interviews to transcriptions
and archives. Limited enrollment, application required, deadline April
30. Contact the Local History Office, Ohio Historical Society, oahsm@ohiohistory.org,
800/858-6878 or 614/297-2340.
South
Carolina
July 14-18, Francis Marion University, Florence, and July 21-25, Clemson
University, Institute for Community Scholars, sponsored by the South
Carolina Arts Commission Folklife and Traditional Arts Program, directed
by Craig Stinson. Teachers join community scholars, tradition bearers,
and folklorists to learn in-depth documentation, preservation, and presentation
skills and come together three times during the year for update sessions.
Contact Craig Stinson, cstinson@arts.state.sc.us,
803/734-8697, southcarolinaarts.com/institutecommunityscholars.htm.
Tennessee
June 4-6, Jubilee Community Arts Center, Knoxville, directed by Gregory
Hansen. Enjoy excellent artistry and interactive learning. Contact Brent
Cantrell, info@jubileearts.org,
865/ 522-5851, www.korrnet.org/jca.
Utah
TBA, Folklore and Identity, Fife Folklore Conference, Utah State University,
Logan. Noted scholars and folk artists address the complexities of identity
in this year's annual conference, which welcomes educators, librarians,
and community scholars. Contact Jeanne Thomas,
jthomas@english.usu.edu.
Washington
Northwest Folklife, Seattle, holds workshops in conjunction with the
annual four-day Northwest Folklife Festival each Memorial Day weekend.
In addition to an active Folklife in the Schools program, providing
assemblies, clinics, workshops, and residencies with traditional artists
from more than two dozen cultural groups, professional development workshops
and inservice training are available. Topics include Sonando--the Cuban
Connection: salsa, charanga, and other forms of Latin music; Bringing
Mariachi to our School for String Ensembles; Afro-Brazilian Culture;
Games Cultures Play: Cross-Cultural Games and Sports, from playground
songs to team games, indoor board games; Folklife Resources for the
Classroom--interdisciplinary and multicultural study and resources for
the K-12 educators. Contact Folklife Education, education@nwfolklife.org,
206/684-7281, www.nwfolklife.org.
TBA, University of Washington School of Music, Seattle, offers workshops
in various music cultures from around the world each summer. Contact
Hidaat Ephrem, hidaat@u.washington.edu,
206/543-5204.
West
Virginia
TBA, Appalshop, Whitesburg. The 15th annual Appalachian Media Institute
for young people and other workshops for educators are in planning.
Contact ami@appalshop.org, 606/633-0108,
www.appalshop.org/ami.
Augusta Heritage Center, Davis & Elkins College, Elkins. Dozens
of opportunities to learn fieldwork, music, dance, and crafts include
July 27-August 1 Family Week when participants may bring their families
to enjoy classes and activities. Contact augusta@augustaheritage.com,
304/637-1350, www.augustaheritage.com.
Wisconsin
August 12-13, Wisconsin Weather Stories, University of Wisconsin, Madison.
This training session kicks off a new year-long project that will link
middle and high school teachers with folklorists and atmospheric scientists
to study the science and stories of Wisconsin weather and create a curriculum
that meets standards in Science, English Language Arts, and Social Studies.
Co-sponsored by the Wisconsin Arts Board, the UW Folklore Program, and
the UW Cooperative Institute for Satellite and Meteorological Studies.
Contact Anne Pryor, anne.pryor@arts.state.wi.us,
608/266-8106.
TBA, Wisconsin Folks, a project of the Wisconsin Arts Board, is seeking
funding for the first annual institute for Wisconsin Teachers of Local
Culture, see www.arts.state.wi.us.